By Thubten Samphel The Tibetan Suitcase
By Tsering Namgyal Khortsa
E-Book, 155 pp.
If you are looking for a page-turning and stomach-churning tale of magic and mystery in Tibet, you won't find it in Tsering Namgyal's The Tibetan Suitcase
. His debut novel seems a form of meditation on the idea of Tibet, an idea which both repulses and attracts. The highly educated characters who people Tsering Namgyal's novel are disgusted by Tibet's new rulers but drawn to it by its timeless wisdom. As such The Tibetan Suitcase offers no entertainment or light-hearted moments of good cheer and levity. It is one Tibetan writer's explanation of what it means to be a Tibetan working and living in a globalised world, who, like most Tibetans born in exile, has never seen his homeland. The Tibetan Suitcase seems an attempt by Tsering Namgyal to understand Tibet, its present tragic fate and its culture as understood and interpreted by the West. (Click here for an interview with Tsering Namgyal on his latest book.
In any culture, loss, exile and alienation are the real stuff of literature. In gifted hands this loss is transformed into victory for the enduring human spirit to overcome adversity. In Tibet's case, this loss has produced a stream of autobiographies. His Holiness the Dalai Lama led the way with his My Land and My People, followed by Rinchen Taring and her Daughter of Tibet, Chogyam Trungpa and his Born in Tibet , Dawa Norbu and his Star Red Over Tibet and autobiographies by many other high Tibetan lamas and scholars. All their works have been translated into English or have appeared primarily in this language. This was Tibet's attempt to tell its story to the world in the hope of getting some kind of justice. In their books, the Tibetan lamas and scholars grappled with the sudden, precipitous loss of Tibet, the heavy-handed occupation, the unprecedented suffering inflicted on the Tibetan people and the inevitable concern of what would become of Tibet and its rich and distinct identity.
Concern about the survival of Tibetan culture drove the Tibetan exiles into translating Tibetan Buddhist texts into English and other languages. This effort, still going on, is on an industrial scale, comparable to the effort ancient Tibetans put into transmitting and translating Buddhist texts to Tibet and into the Tibetan language. This stupendous effort began more than a thousand years ago and was spread over five centuries. This effort of the ancient Tibetans made Tibet what it is: the messenger of an ancient wisdom to the modern world whose modernity is based on consumerism and more consumption. Similarly, the result of the Tibetan exiles' translation effort and the 'Dharma industry' it has spawned is best described by Khenchen Sangpo, a pivotal character in The Tibetan Suitcase. He says, "For all its agony, anguish and indignities, ours is a glorious escape - we transformed the world through our departure" from Tibet
The new generation of Tibetan writers grapple with these same issues of communist China's occupation of Tibet and its sometimes frenzied but always unrelenting assault on Tibetan culture. In fact, these issues form the background of their writings. However, for Tibetan writers born in exile the more pressing issues are globalisation and alienation and their beloved Tibet, or what's left of it, as seen through the eyes of the West and how the exile-born writers identify themselves with that Tibet. In The Tibetan Suitcase, the trigger that sets off the creative impulses of the nameless narrator who works as a business reporter for a newspaper in Taiwan is when his real world blows up. The 1997 Asian financial crisis produces a similar crisis in the narrator. This is made worse by his girlfriend leaving him for London and presumably for someone else. "I was devastated," writes our storyteller. "I realized I needed to go back to Dharamsala and learn more about my culture.
In Dharamsala, the capital of exile Tibet, the ultimate pilgrim destination for the masses in Tibet "yearning to breathe free," and the temporary beyul or secret valley and refuge of all those alienated by what they perceive as a world gone badly wrong, our narrator lands up with "an old leather suitcase." A treasure trove? A family inheritance? Terma, ancient Tibetan Buddhist wisdom buried and discovered? Maybe all three. The suitcase reveals a bunch of correspondence that understandably wants to reincarnate as a published book. Implicit in handing over the suitcase to our narrator is the understanding that he, as an established writer, who by his own admission during his graduate days in Taiwan "had pretty much read the library" of his university, would have these stories published.
The stories in the suitcase belong to Dawa Tashi who lives in a "borrowed homeland" and writes in a borrowed language, in his case, English and is told sternly by Professor Khenchen Sangpo, his mentor, to "seek asylum in pages." He does seek asylum in pages. This explains the suitcase full of his letters. But he goes one step further. Dawa Tashi becomes a recluse in a Tibetan monastery in upstate New York!
When the word of the impending arrival of the suitcase full of Tibetan stories reaches our narrator he is "meditating in the Himalayas." The suitcase and its contents break the rhythm of his simple Himalayan life and catapult him into what he describes as a "strange, new world.
As the corresspondence in the leather suitcase reveals, Dawa Tashi lives in three worlds: Tibet, the West and his exile world. Khenchen Sangpo, 79, the torch-bearer of Tibetan culture, personfies Tibet. The West is represented by Iris Pennington, who, having caught the Tibet bug, is pursuing a doctoral studies in Tibetan Buddhism at a fictionalised Appleton University in America. Exile Tibet is represented by Dawa Tashi, a brilliant student who is pursuing a creative writing course at the same university.
Because of the interaction among these three worlds, the narrative moves between India, America and Europe and Tibet. How does Dawa Tashi juggle these balls that make up his world? He manages to do this by sometimes dropping the India or Tibet ball. For he says in one of his many letters to friends, “I really want to leave this Shangri-la – that is Dharamsala. Instead, the idea I have of American campuses … is closer to my dreamland.” China has physically colonised Tibet. But based on Tsering Namgyal’s novel, the West has completely colonised the minds of the exile-born Tibetans. Or in Pankaj Mishra’s words, they have been seduced by the attractions of the West. And it seems young Tibet having no original ideas of its own to define itself wants to embrace old Tibet because it is considered the cuddly panda the West loves to hug.
The world Dawa Tashi inhabits is a rarified one, the world of academia, an ivory-tower that has little of the smell of sweat and the sound of groan of daily struggle of refugees eking out a living in a grinding world.
One of the highlights of the novel is the triumphal return of Khenchen Sangpo to his homeland. “Hundreds and thousands of Tibetans lined up to welcome the arrival of their guru from abroad. They welcomed him like a lost son. Chinese policemen kept looking at them from a distance, some of them with binoculars.” This event, an almost a Dalai Lama-like return to Tibet, is a re-assertion of the spirit of Tibet, uncowed, un-bowed and fearless.
A thing about The Tibetan Suitcase is how very little there is in it about India. The smell, the colour, the monsoon deluge, the teeming masses, the loud human interaction, all are little mentioned or not at all.
Despite these minor distractions and in spite of its slow-moving, almost meditative prose and plot, The Tibetan Suitcase is a major achievement by a young talented writer who in his first novel seems to be holding back more than he is willing to tell. Tsering Namgyal explores and explains the psychology of exile-born Tibetans and with great empathy articulates their frustations, anger and hopes for themselves and for Tibet. Some of the phrases he has coined, seeking asylum in pages, borrowed homeland and Tibetan rage in pages will endure to define his generation of Tibetan exiles. Tsering Namgyal, one of the singularly committed exile Tibetan writers, has years and years of writing life before him and with persistence he and other Tibetans who have chosen the noblest of professions could unleash the spirit and energy that would take the world by storm, literally.Thubten Samphel is the author of the book, 'Falling through the roof'.